Philip Newland (3 Jul 2022)
"Song of Solomon vs Feast of Trumpets"


Song of Solomon vs Feast of Trumpets

 

As a watcher for the return of Jesus for the last 40+ years, there seems to have been two seasons each year when we look a bit closer at the calendar and hope that this is the time Jesus call us home via the “harpazo” (rapture).

 

Firstly, Song of Solomon describes springtime in Israel. Song of Songs chapter 2.

 

“Arise, my love, my beautiful one, and come away, 11 for behold, the winter is past; the rain is over and gone. 12 The flowers appear on the earth, the time of singing has come, and the voice of the turtledove is heard in our land. 13 The fig tree ripens its figs, and the vines are in blossom; they give forth fragrance. Arise, my love, my beautiful one, and come away.

 

Secondly, the Fall Feasts (moedim) is also a high watch time. The concept of the rapture is revealed as a mystery in the New Testament and was revealed primarily to the church in 1 Corinthians 15.

 

51 Listen, I tell you a mystery: We will not all sleep, but we will all be changed— 52 in a flash, in the twinkling of an eye, at the last trumpet. For the trumpet will sound, the dead will be raised imperishable, and we will be changed.

 

What if,

The Song of Solomon was designed for Israel to be taken as a bride for God the Father (this being at some future time after the 70th week of Daniel),

The rapture (possibly at trumpets) could be where the Jesus, the Son of God gets his gentile bride (the church).

 

So, since we have passed the spring feasts, I might have to look closer at Trumpets again. Although Trumpets is a Jewish feast, does that still apply to the church? Perhaps it does, as Jesus was born into a Jewish family, and he would be very familiar with the process of the Jewish wedding protocols.

 

As an aside, please don’t harp on about “no man knows the day or hour”. This verse in context is talking about Jesus’ words not passing away till heaven and earth does. It’s not talking about the rapture date at all.

 

Thanks

Philip Newland