PARIS OLYMPICS
MOCKERY OF THE BREAD AND THE WINE
Dionysus, God of Wine and Gay Sex
One finds it rather interesting that the Biblical Elements of
the Wheat and the Wine were the Theme of the Opening Ceremony
of the Paris Perverted Olympics. The Last Supper of Jesus was
clearly employed because it signifies a Victory over Lucifer
and his False Gods, like Dionysus they were Worshiping. That
was the Blue-Colored Man that popped-out of the Dish served at
their LGBT+ Last Supper espousing all the World to just ‘Get
Naked and essentially have Sex’. It is the Cliché, ‘Make Love
not War’, etc.
It symbolizes how the Elements of Wheat (Bread) and the Wine
were the Tokens of this Victory. It signifies a Resurrection
and Return of Jesus for this Bride, a Woman as Jesus is a Man,
etc. All these Sacred Christian Motifs were liberally violated
and mocked. It was an occasion, as with all major World and
USA Sporting Events of this magnitude to openly Worship and
Celebrate Lucifer, Hidden in Plain Sight. One will demonstrate
from the Mythology and Meaning of what the Pagan God Dionysus
Represents, the LGBT Agenda. And this a total Antithesis of
Jesus and the Last Supper with Bread and Wine.
The Paris 2024 Summer Olympics are the XXXIII (33) Olympiad.
The Event started on July 24 and does to August 11 in
France. The Opening Ceremony took place on July 26 (726). The
Numerical Factor is the Strong’s Number for ‘Harpazo’ or
Rapture in English. The 33rd Olympiad is hosted by Paris with
other Sporting Events held in 16 additional Cities spread
across Metropolitan France, and 1 subsite in Tahiti, French
Polynesia. This Site Count totals 18, a Factor of (6-6-6).
Darkness has fallen upon Paris. It was not only in the form of
a Power Outage following the Opening Ceremony of the Olympics,
but a Spiritual one. How so? As it was reported, the Christian
and even Non-Christian Backlash for the blatant Mockery of
Jesus’ Last Supper had crossed the Line. For all the Imagery
and Depiction that a Host Nation showcases, about their
History, Art, Culture and Architecture, the French Art
Directorship, who are Gay and Anti-Christian chose to indulge
in only 1% of the World’s Population at the expense of French
History, Art, Culture and Architecture.
One’s Point is that it was deliberate as the Presentation was
of the Last Supper. If there was any Doubt, those that really
have a grasp of Ancient Culture, as in the Satanic Gods of the
Pagan Greeks and Romans would have easily identified that what
was being served at the LGBT+ Table was Bacchus Rising. He was
depicted in Blue to identify with Shiva. It was the
God/Goddess Dionysus. This God is a He/She and essentially the
Patron/Patroness God/Goddess of the Homosexuals and Lesbians
and Transvestites. And who is this Dionysus? He is the God
that transforms into a Woman.
How the Gays Glory
He is the God of Sexual Perversion where on his Feast Days,
they indulge in a Free Expression of Sex through Orgies and
reversed Roles of Gender Identity. It was really an ideal Open
Worship of this God and what it represents to the Gay
Community, Free and Unhindered Sex with whom they want and as
many as they want. They incorporate Children in their Ancient
Fests from 3 Years Old and older. They Drank Wine, to Excess
and Drunkenness is the Outcome, etc.
One will highlight and present some Excerpts from the Meaning
and Mythology of the God of Wine and Sex from the Wikipedia
Page below. The International Olympic Committee, IOC has since
the Perverted Mocking of Jesus’ Last Supper ‘Apologized’ but
without Apologizing for its Mockery of Depicting the
Christian’s Holiest Motif. They are Gaslighting as being an
‘Artistic Expression of Diversity, Equity and Inclusion. They
are claiming ‘Mia Culpa’ that they had no idea it would cause
such a Backlash as it was not meant to represent any Religious
Iconography, especially Jesus’ Last Supper. No.
No, it was exactly designed and chosen to do just that. It was
an obvious Artistic Parody of a Gay Drag Queen Last Supper of
Jesus. It was a Time and Place where Jesus was betrayed by
Judas. It was ‘where’ and ‘how’ Jesus Promised at that Time
and Place to go to the Father’s House and prepare the Mansion
for His Bride. And that once they would be completed, Jesus
would return. And this is in the Context of being put to Death
by the Jewish Sanhedrin and in 3 Days, rise again to then
later Ascend into Heaven with His Resurrected Body, etc. This
was the Mission of Jesus and accomplished.
So, no, the Opening Olympic Ceremony by the French Art
Directorship and Committee knew exactly what they were doing
and wanting to portray. It was a Spit in the Face, a Kick in
the Head to Jesus and his 2+ Billion Followers, if in a lot of
cases, many are ‘Christian’ only in Name. The LGBT+ Supper was
about a deliberate Parody of the most Sacred Christian
Sacrament there is, regardless of Denomination, Sect or
Synods, etc. It is where the Wheat meets the Wine. It is about
celebrating a Coming Wedding Benguet, i.e., Cana, etc.
But as many People have complained, why interject Religion,
Politics and Gender into a Worldwide Event where the aim is to
set aside just that, and celebrate the Spirit of Peaceful and
Fair Competition through Sports? If 1 Factor the Gay Community
is notorious for is having a Double Standard. Take for example
the Brazilian Surfer João Chianca. He wanted to surf with
Boards that had Christ the Redeemer Artwork on the Board. He
was told by the IOC that they could not be allowed because
Jesus is a Religious Figure and the ‘Games have strict Rules
focusing on Total Neutrality’.
Yet the overweight Woman who portrayed the Epitome of Youthful
Bodies of Olympic Sport is Barbara Butch, a Jewish Queer
Lesbian. In actuality, it is not only a Mockery and Assault on
Christians, but one can look at the Last Supper as also an
Attack on Jews, at least those that put their Faith and Trust
in Jesus as being the Jewish Messiah, etc. At the Last Supper,
Jesus and all His Disciples were Jews.
Dionysus Debauchery
In her Social Media, she had exuberantly exclaimed that, ‘Oh
YES! The New Gay Testament!’ Then within hours she
deleted it and replaced with the following instead.
‘Will forever be proud and support this moment of art
reference, The feasts of the gods by Jan Harmensz van
BIJLERT’.
The following will now be the Excerpts taken From Wikipedia to
demonstrate what this Dionysus God of Gay Sex, Wine and
Debauchery is all about. And with that, it will provide Proof
how the Art Directorship of the Opening Ceremony deliberately
caused the Last Supper to be reinterpreted with Gay Themes.
Note that their ‘Artistic Rendition’ of their Table serving-up
Bacchus included a Female Child in their Debauchery, Gluttony,
Rebellion, Lust, Sexual Perversion and Transvestitism, etc.
And? As with the Brazilian who was banned in having a
Religious Depiction, this Gay Last Supper should have been
Banned as well. Of course not.
_______________________
Dionysus Worship became firmly established by the 7th
Century BC. He may have been worshiped as early as 1500–1100
BC by Mycenaean Greeks; and traces of Dionysian-Type Cult
have also been found in Ancient Minoan Crete. In ancient
Greek Religion and Myth,
Dionysus is the God of Wine-Making,
Orchards and Fruit, Vegetation, Fertility, Festivity,
Insanity, Ritual Madness, Religious Ecstasy, and Theatre. He
was also known as Bacchus by the Greeks (a Name later
adopted by the Romans) for a Frenzy he is said to induce
called Baccheia.
As Dionysus Eleutherius (The Liberator), his Wine, Music,
and Ecstatic Dance free his Followers from Self-Conscious
Fear and Care and subvert the Oppressive Restraints of the
Powerful.
Wine was a Religious Focus in the Cult of Dionysus
and was his Earthly Incarnation that inspired Divine
Madness. It was also a ‘Cult of the Souls’; his
Maenads feed the Dead through Blood-Offerings, and he acts
as a Divine Communicant between the Living and the Dead. He
is the God of Resurrection as he was categorized as a
Dying-and-Rising God.
Romans identified Bacchus with their own Liber Pater,
the ‘Free Father’ of the Liberalia
Festival,
Patron of Wine and Male Fertility, and
Guardian of the Traditions, Rituals and Freedoms attached to
Coming of Age. It was performed in the popular Festivals of
Bacchus (Bacchanalia) as Subversive, partly because their
Free Mixing of Classes and Genders transgressed
Traditional Social and Moral Constraints.
Dionysus Mythology describes him as a ‘Horned’ or
Bull reference God who must endure Suffering before
triumphing over it.
According to Kerényi, the Title of ‘Man who Suffers’ likely
originally referred to the God himself, only being applied
to distinct Characters as the Myth developed.
He was associated with Weddings, Death, Sacrifice,
and Sexuality, and his Retinue of Satyrs and Dancers was
already established. A
Common Theme in these Early Depictions was the
Metamorphosis, representing the Transition from
Civilized Life back to Nature as a means of Escape.
There also exists a notable overlap between the Greco-Roman
Dionysus and the Hindu God Shiva. Shared iconography and
background include a Crescent or Horns on the Head, Panther
or Tiger Skins,
Serpents, Phallic Symbolism (Shiva
Lingam). Shiva is understood to be one of a Triple Godhead
that includes Vishnu and Brahma.
In the Orphic Tradition, a saying was supposedly given by an
Oracle of Apollo that stated ‘Zeus, Hades, [and]
Helios-Dionysus’ were ‘3 Gods in one God-Head. Dionysus was
variably known with the following Epithets.
_____________________
Aesymnetes
Αἰσυμνήτης (‘Ruler’ or ‘Lord’) at
Aroë and Patrae in Achaea.
Androgynos
Ἀνδρόγυνος (Androgynous, specifically in
Intercourse) referring to the God taking both
an Active Male and a Passive Female Role.
Anthroporraistes
Ἀνθρωπορραίστης (‘Man-Destroyer’), a Title of Dionysus at
Tenedos.
Choiropsalas
χοιροψάλας (‘Pig-Plucker’: Greek χοῖρος = Pig, also used as
a Slang Term for the Female Genitalia). A Reference to
Dionysus's Role as a Fertility Deity.
Enorches
It is a Reference (‘With Balls’), understood to mean his
Testicles). It was used in Samos and Lesbos. [1 of the Male
Performers at the LGBT+ Last Supper depiction had his
Testicles out from under his Clothing.]
Liknites
(He of the Winnowing Fan’), as a Fertility God connected
with Mystery Religions. A Winnowing Fan was used to separate
the Chaff from the Wheat Grain.
Lenaius
Ληναῖος (‘God of the Wine-Press’). It was 1 of the Oldest
Festivals dedicated to Dionysus, begun in Attica, and
probably celebrated the cultivation of Vines. The Rural
Dionysia centered on a Procession, during which Participants
carried Phalluses, Long Loaves of Bread, Jars of Water and
Wine as well as other Offerings, and Young Girls carried
Baskets.
Anthesteria
(Ἀνθεστήρια) was an Athenian Festival that celebrated the
beginning of Spring. It spanned 3 Days: Pithoigia (Πιθοίγια,
‘Jar-Opening’), Choes (Χοαί, ‘The Pouring’) and Chythroi
(Χύτροι ‘The Pots’). It was said the Dead arose from the
Underworld during the span of the Festival. The Wine was
opened and mixed in honor of the God. The Rooms and the
Drinking Vessels were adorned with Flowers along with
Children over 3 Years of Age.
______________________
The Bacchic Mysteries served an important role
in creating Ritual Traditions for Transitions in People's
Lives; originally primarily for Men and Male Sexuality,
but later also created space for ritualizing Women's
Changing Roles. In some instances, records show the God
Participating in the Ritual via a Masked and Clothed Pillar,
Pole, or Tree, while his Worshipers eat Bread and drink
Wine.
The Greek God Dionysus was also depicted with a
Snake-Body and wearing an Egyptian Crown.
There are many Statues of Bacchus, for example, in Paris at
Louvre Museum from the 2nd Century AD showing it as a
Hermaphrodite. Part of their Theology is
that those who died as Members of the Bacchus Cult would go
to a ‘Bacchanalia’ for their afterlife.
Another Myth according to Nonnus involves Ampelus, a Satyr,
who was loved by Dionysus. According to the Christian
Writer, Clement of Alexandria, Dionysus was guided in his
Journey by Prosymnus or Polymnus, who requested, as his
Reward, to be Dionysus' Lover.
Prosymnus died before Dionysus could honor his Pledge, so
to satisfy Prosymnus' request, Dionysus fashioned a
Phallus from a Fig Branch and penetrated himself with it
at Prosymnus' Tomb. Thus, the Cult of
Dionysus was closely associated with Trees, specifically the
Fig Tree. Dionysus is also closely associated with the
transition between Summer and Autumn. In the Mediterranean
Summer, it is marked by the rising of the Dog Star Sirius,
the ‘Queen of Heaven’.
As noted, Dionysus was a God of Resurrection and
he was strongly linked to the Bull. The
Snake and Phallus were Symbols of
Dionysus in Ancient Greece, and of Bacchus in Greece and
Rome. There is a Procession called the
Phallophoria and there were a row of
Sculpted Phallus at the Entrance of the Temple of Dionysus
in Delos, Greece. This Island is the Birthplace of Apollo or
Apollyon who is bound in the Bottomless Pit and awaits to be
released in the End Times according to the Book of
Revelation.
_______________________
Thus, one finds it rather interesting how in the Discussion of
the Wheat and the Wine Season, the Olympics occurred in this
July Season with similar overtones. Astronomically, the Event
took place when Jupiter, the Messiah Planet was in-between the
Horns of Taurus. And Mars was in the Ley-Line of the Pleiades.
Taurus is the Constellation of Judgment Coming. And as to the
Season of the Wheat and Wine, it is when Moses came down and
the Debauchery of the Rebellion and worshiping of the Golden
Bull had occurred. Coincidence? No.
It was no coincidence that Head of the Golden Bull was
incorporated into the Opening Olympic Ceremonies. ‘They’ know
the Taurus and Golden Calf association with the Depiction of
the Last Supper and Bacchus Rising or Dionysus. It represents
the Golden Calf Incident on Mount Sinai. And how the Opening
Ceremony clearly mocked the Last Supper of Jesus with.
Although the Official Videos have now been taken down and an
‘Apology’ has been made, the Gaslighting is that it was not
the Last Supper.
It really goes with how the Woke Community revels in
Suspending Reality. To this End, one has attempted to expose
their Hypocrisy. Their LGBT+ Last Supper was a Mockery of the
Biblical one. What they did with ‘Serving-Up’ Bacchus or
Dionysus as the Main Dish, as on a Table confirmed their
Innuendos were meant to be Hidden in Plain Sight.
______________________
Sources
Dionysus
Dionysus Is A Queer Icon
Aliakai
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